Grayson Earle is a contemporary artist and activist from the United States, based in Berlin, whose work critically examines digital technologies and political agency. He reveals the hidden politics embedded in technology, centering on themes of labor, surveillance, and resistance.

Earle is known for his involvement in The Illuminator, a guerrilla projection collective amplifying social justice movements in public space, and for his creation of Bail Bloc, automated software that mined cryptocurrency to post bail for low-income individuals in New York City. His film Why don't the cops fight each other? dissects the source code governing police behavior in video games, critiquing systemic power structures. The film has screened internationally at SXSW, Oberhausen Film Festival, the Australian Centre for the Moving Image, and Busan International Video Arts Festival, among others.

Earle has participated in residencies including Akademie Schloss Solitude and BPA// Berlin program for artists. He is a current artist in residence at Braunschweig Projects and a scholarship recipient in Critical Philosophy at The New Centre for Research & Practice. His work has been presented at the Whitney Museum of American Art, KW Institute for Contemporary Art, and Singapore Art Museum. His recent project Return to Sender employs GPS trackers and hidden audio recorders to map Amazon's opaque logistics network, exposing the labor and environmental costs of corporate efficiency. Combining investigative rigor with artistic innovation, Earle's practice transforms systemic critique into accessible and provocative experiences.

studio@graysonearle.com | @prismspecs